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My work is invested in exploring the intricate relationships between the body, the natural world, and human experience.
I employ texture—through the power of polyvocality and different material applications—to capture the multiplicity of roles and frameworks women exist in every day and to render those multiplicities tangible through a richer, more complex dialogue between subject, text, and reader.
Explore Abi’s writing.
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      The Pinch • these our tenuous intentions: • Forthcoming Spring 2025 Western Humanities Review • this our listless passive drift: • Forthcoming Spring 2025 Crab Creek Review • what is it you taste when you die in the night • Forthcoming Fall 2024 antiphony • to heather is to stake a claim • Issue 3 • September 2024 TriQuarterly • this our impossible savorings: • these our sacred storms: • this our muscled temperatures: • Issue 164 • Summer/Fall 2023 Radar Poetry • these our vicious altars: • this our speculative reflex: • this our hideous intuitions: • this our sublime hauntings: • these our holy anticipations: • Issue 34 • October 15, 2022 Janus Head • billow & pulse (meadow) • July 7, 2022 Cream City Review • to forest is to hide a woman • Issue 46.1 • Spring/Summer 2022 KALEIDOSCOPED • these our silent silky pretenses: • March 12, 2022 Palette Poetry • this our reckless exhibition: • January 17, 2022 EX/POST • standard practice • Issue IV • January 2022 EcoTheo • aubade • Autumn 2021 The Seventh Wave • here’s the space i carry. here’s the space that’s empty. • this our sunken sweet parade: • Issue 14: The Economies of Harm • November 2021 The Shore • billow & pulse (tide) • & today a hull to hold on to • & tonight this is what it’s like • Issue 11 • September 2021 Jack Straw Writers Anthology • body mythlets • Volume 25 • May 2021 Denver Quarterly • a walk in the woods • Issue 55.1 • 2020 Foundry • lilies & these eroded • Issue 13 • October 2019 CutBank • From Granite Illusion, So the Conjoined World Follows • March 2019 Poetry Northwest • 7:28PM: above the river the bridge the bridge • February 2019 The Seattle Review of Books • if the mirror • Urban planning when prayers for the body aren’t enough • The Sea Thinks Beyond Itself • To live in ignorance is exactly what • February 2019 The Spectacle • The Auction • stains of an enemy’s century • Reckoning • Issue 6 • December 2018 Black Warrior Review • Shadow Season • Issue 45.1 • October 2018 Horsethief • Sister Shapes • Forthcoming Transom • in the after [sister idioms] • you had a baby & then • Issue 11 • September 2017 Yes, Poetry • Sister, n., [Found] • Mar. 10, 2017 The Birds We Piled Loosely • amnesty • democracy of swollen things • Issue 10 • December 2016 CALAMITY • And Now, How All [our speech deteriorates] • December 2016 Inch • Out of Pebbles • Issue 31 • October 2016 Broadsided Press • island sided • June 2016 LEVELER • liminal spaces • April 2016 inter|rupture • to move forward • October 2015 Guernica • preservation tactics • Issue: The Boundaries of Nature • September 2015 H_NGM_N • a lesson in decomposing • Homegrowths • I Sever, I Ought to Nudge the Obscene Fickleness • Wildflower Mythology • Issue 17 • May 2015 Bayou Magazine • The hearth no longer a hallowed frame—I found • Issue 62 • 2014 14 Hills • afternoon in the rain • Issue 19.1 • 2013 
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      & when we unmake the making • Holding / Movement: cello/poetry collaboration with Gretchen Yanover • March 2024 Out of Pebbles • Summit Sound Audio Installation • Seattle Convention Center in collaboration with Jack Straw Cultural Center • September 2023 Abi Pollokoff x Julia Massey • Jack Straw 2021 x Bushwick Book Club • September 2021 
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      Semifinalist • 2024 Crab Creek Review Poetry Prize • Crab Creek Review Nomination • 2025 Pushcart Prize • TriQuarterly Mentee • 2024 AWP Writer to Writer Program Resident • 2023 Bloedel Residency • The Seventh Wave Finalist • 2022 Coniston Prize • Radar Poetry Finalist • 2022 Gatewood Prize • Switchback Books Fellow • 2021 Writers Program • Jack Straw Cultural Center • Seattle, WA Fellow • 2019–2020 Program • Hugo House • Seattle, WA Poet in Residence • February 2019 • The Seattle Review of Books Finalist • 2019 Broadside Contest • Omnidawn Books Writer in Residence • October–November 2017 • The Alice Gallery • Writer in Residence • Seattle, WA Finalist • 2013 Writing Fellowship • Writing by Writers Workshop Winner • 2012 Anselle M. Larson/Academy of American Poets Prize, judged by Caryl Pagel • Tulane University • New Orleans, LA